LEGAL STATEMENT | PRIVACY POLICY

Shu Qun 2009-06-18
OCAT,
Shenzhen

Conducted in Mandarin Duration/ 2hrs 21mins

“In the ’80s, China was in the process of rapidly transforming from a rural to an urban culture. By 1983, the entire [social situation] had changed. It was completely different. You lost the feeling of a small mountain village, complete with a warm home and flowers in full bloom. In 1986, Cui Jian wrote a song called Nothing to My Name. It expressed precisely that feeling, that we had nothing, that our home was gone. [By contrast,] He Duolin’s painting Spring Wind, with its depiction of a young girl and water buffalo, seemed so alien to us. It seemed wholly fabricated—life just wasn’t like this. Our paintings, on the other hand, seemed real. They related to nonexistence, or you could say nothingness and wastelands…no more ideology, no more sentimental humanism.”
Interviewing Shu at OCAT in Shenzhen, 18 June 2009.
Photograph of <i>(left to right)</i> Tang Qingnian, Gao Minglu, Shu Qun, Zhang Peili, Shang Yang, taken at the National Oil Painting Symposium, April 1986.

Biography:

Shu Qun (b. 1958, Jilin Province) is an artist, and in 1984, was one of the founders of the Northern Art Group, along with Wang Guangyi, Ren Jian and Liu Yan, among others.

In 1982, Shu graduated from the Lu Xun Academy of Fine Arts in Shenyang. In the mid-1980s, he helped organize conferences and exhibitions, including the 'Large-Scale Slide Exhibition of New Wave Art' at the Zhuhai Conference (1986) and the Northern Art Group Biennale (Jilin College of the Arts, Changchun, 1987). In 1987, Shu was interviewed by China Central Television (CCTV), and in 1989, he participated in the ‘China/Avant-Garde Exhibition’ at the National Art Museum of China in Beijing.

In addition, Shu published numerous articles in the 1980s and early 1990s, such as ‘Form Follows Content’ in Art (Meishu) magazine (no. 7, 1986), ‘A Monologue about Rational Painting’ in Jiangsu Pictorial (Jiangsu huakan) (no. 9, 1989) and ‘Rational Painting’ in Art Panorama (Yishu guangjiao) (no. 5, 1991).

Shu continues to work as an artist in Chengdu and exhibits widely.

<i>Towards the Other Side Series No. 8</i>, Shu Qun, 1988, pencil on cardboard.
<i>Deconstruction of Absolute Principle No.1</i>, Shu Qun, 1988, oil on canvas, 200 x 160 cm.