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Song Yonghong 2009-07-11
Song Yonghong's Studio,
Beijing

Conducted in Mandarin

“I think the time and space expressed in One Hundred Years of Solitude [by Gabriel García Márquez], that feeling of chaos, matches my impression of the ’80s very well. It’s very similar to Chinese reality—very disordered because everyone’s value system was shattered. The changes in China over the years can actually be described as magical realism. Today it’s still the same—very chaotic, sometimes this way and sometimes that way. So many things remind you of the feeling in that story. It’s kind of unbelievable. I still follow this feeling when I paint today. I believe that [the times we live in] have not provided a unifying symbol for me… the sense that my inner value system has collapsed is very strong.”
<i>School-life: Alien Environment</i>, Song Yonghong, 1988, mixed media, 110 x 80 cm.
<i>School-life: Alien Environment</i>, Song Yonghong, 1988, 110 x 80 cm.

Biography:

Song Yonghong (b. 1966, Hubei) is an artist living and working in Beijing.

Inspired by his elder brother Song Yongping, Song began to paint from an early age, and in 1984, enrolled into the Printmaking Department at the Zhejiang Academy of Fine Arts (ZAFA, now the China Academy of Art) in Hangzhou.

In Shanxi, Song, one of the youngest artists of the ’85 New Wave, collaborated with his brother on a performance piece sometimes translated as The Experience of Vision (Yige yingxiang de tiyan) in 1986. In 1988, before graduating from ZAFA, Song created his Campus Life series, an important milestone in his art development and which featured key elements of his later signature style—distorted human figures and voyeuristic scenes. After graduation, Song became a teacher in the Beijing College of Arts and Crafts, and since 1997 has been a full-time professional artist.

<i>Lover</i>, Song Yonghong, 1989, oil on canvas, 50 x 60 cm.
<i>Real Illusions</i>, Song Yonghong, 1992, oil on canvas, 80 x 100 cm.