LEGAL STATEMENT | PRIVACY POLICY

Shao Dazhen 2009-03-18
Central Academy of Fine Arts,
Beijing

Conducted in Mandarin

"In the '80s, we were already beginning to see variety and diversity in Chinese art. This diversity revealed differences in concepts, such as between realism and expressionism. It also revealed contradictions. For example, from the point of view of realism, abstract art is in complete opposition to its practice. On the other hand, from the standpoint of abstract art, realism must be eliminated. Another conceptual difference that emerged was that art and the world could be seen from many different angles. In the past we had only considered art from one ideological position…once politics opened up a bit, it was possible for art and culture to have different ideas and points of view. Not just different techniques, but also different ideas. So the ’80s helped to shape a diverse foundation from which many different artistic concepts could emerge."

Biography:

Shao Dazhen (b. 1934, Jiangsu Province) is an art historian, art critic and Professor at the Central Academy of Fine Arts.

Shao studied art history at an art school in Leningrad (now St. Petersburg) from 1955 to 1960. After returning to China, he became a professor of art history at the Central Academy of Fine Arts in Beijing. Shao has also been the secretary of the Chinese Artists Association and is currently the Director of its Theory Committee.

In his roles as editor of both World Art (Shijie meishu) and Art (Meishu) magazines in the 1980s, Shao was an important figure in the development of contemporary Chinese art. Over the last decades, he has been researching the history of Western art and modern Chinese art and his published works include Brief Discussion on Modern Art (1982), Traditional Art and Modern Art (1983), Western Modern Art Thought (1990) and The Nude in Oil Paintings from China (1993).