LEGAL STATEMENT | PRIVACY POLICY

Schmid, Andreas 2008-04-27
Asia Art Archive,
Hong Kong

Conducted in English

“(By the mid-1980s) Foucault was translated, like Huang Yongping said. I know that Nietzsche and Freud were translated as well. I was amazed. Zheng Chongbin once came to my room and said, ‘From this day onwards, we are officially allowed to read Laozi again!’ He was very happy, as he was very much into the Chinese classics, and the old ones had also been forbidden.”

Biography:

Andreas Schmid (b. 1955, Stuttgart, Germany) is an independent curator, art critic and artist who lives and works in Berlin.

From 1983 to 1986, Schmid was a student in the Chinese Painting Department at the Zhejiang Academy of Fine Arts (now the China Academy of Art), where he started collecting material about the ’85 New Wave movement. In 1993, he co-organized ‘China Avant-Garde’, a significant exhibition of contemporary Chinese art at Haus der Kulturen der Welt (House of World Cultures) in Berlin, with Hans van Dijk from The Netherlands and Jochen Noth from Berlin. He was also one of the editors of the exhibition catalogue China Avant-Garde: Counter-Currents in Art and Culture, published in Hong Kong (1994).

Schmid writes extensively about contemporary Chinese art for several German and international art publications. In 2008, he collaborated with Dorothee Albrecht, Alf Lohr and Moira Zoitl on an art research project called ‘Dream of Art Spaces Collected’ for the Internationale Gesellschaft der Bildenden Künste (IGBK) in cooperation with Deutscher Künstlerbund.