LEGAL STATEMENT | PRIVACY POLICY

Mao Xuhui 2009-09-17
Mao Xuhui's Home,
Kunming

Conducted in Mandarin

“Visitors to the ‘New Concrete Art’ exhibition left a range of comments [in the comment book]. One said, ‘I don’t understand’; others said it was very original. The expressions people used were similar to the language of the Cultural Revolution, very distinct. Some people liked it, others didn’t like it; some people said we were reactionary, others said we were the servile followers of modern art from the West… And yet there were some people who said we were China’s pillars, China’s hope… All the opinions were very insightful. Someone wrote, ‘You all are dumbasses.’ I took a picture [of that comment] with the word ‘dumbass’. I had researched Cezanne before and Cezanne had also been called a dumbass—people said he painted so poorly. I thought, ‘I’m a dumbass and Cezanne was a dumbass too.’ In Shanghai I took a picture of myself holding [that page of the comment book].”
Photograph of Mao Xuhui with “Dumbass” note by audience, ‘New Concrete Image’ exhibition, Shanghai Jingan Cultural Centre, taken in June 1985.
<i>Red Volume</i>, Mao Xuhui, 1984, oil on paper mounted on fibreboard, 79 x 105 cm

Biography:

Mao Xuhui (b. 1956, Chongqing) is an artist who currently lives in Kunming and teaches at the Yunnan Academy of Art and Design.

Mao graduated from the Oil Painting Department at the Yunnan Academy of Fine Arts in 1982 and became the art director of a film company in Kunming.

Mao, along with Zhang Xiaogang, Hou Wenyi, Zhang Long, Pan Dehai and others, organized one of the first self-funded exhibitions in China, titled the ‘New Concrete Image' (Shanghai, 1985). This exhibition was later shown in Nanjing, Kunming and Chongqing, with the inclusion of additional works by young artists from the southwestern region. In 1986, Mao introduced the works of artists from the southwestern region at the ‘Large-Scale Slide Exhibition of ’85 New Wave Art’ at the 1986 Zhuhai Conference, and with Pan Dehai, Zhang Xiaogang and Ye Yongqing, formed the Southwestern Art Research Group. Works by Mao, Pan, Zhang, and Ye were shown at the ‘China/Avant-Garde Exhibition’ in Beijing (National Art Museum of China, 1989).

Mao continues to work as an artist and exhibits widely.

<i>Two Heads • Front</i>, Mao Xuhui, 1988, oil on paper, 53 × 77 cm.
<i>Private Space—Self Portrait</i>, Mao Xuhui, 1989, oil on gauze and cardboard, 105 x 78 cm