LEGAL STATEMENT | PRIVACY POLICY

Lin Yilin 2007-08-01
Lin Yilin's Studio etc.,
Guangzhou

Conducted in Cantonese Duration/ 1hr 18mins

“I think [at the time] what we read was not fully digested, nor fully absorbed. However I believe that, the impact of what we read, the words and the theories, gave artists the means to explain their works. All artists were eager to demonstrate that they had read a lot of books and had their own theories. After 1949, Chinese art was deeply influenced by Soviet art. Very often this did not involve a lot of discussion about theory, but rather the focus was on the surface of the painting. In the 1980s, however, [the large amount of publications] inspired young people to cease the right to discuss theory, just like theorists, to speak up at conferences and express their points of view, their ways of looking at art.”
Interviewing Lin Yilin at Sun Yat-Sen University campus, 1 August 2007.
<i>Standardized Series of Ideal Housing</i>, Lin Yilin, 1991, installation

Biography:

Lin Yilin(b. 1964, Guangzhou) is a performance and installation artist, who lives and works in Beijing and New York.

Lin studied sculpture at the Guangzhou Academy of Fine Arts and graduated in 1987. Between 1986 and 1987, he became an active member of the Southern Artists Salon.

At the end of 1990, Lin, Chen Shaoxiong and Liang Juhui formed the art group Big-Tail Elephant in Guangzhou. Some of Lin’s early exhibitions include the ‘Exhibition of the Big-Tail Elephant Group’ (Guangzhou No. 1 Worker’s Palace, Guangzhou), the ‘Joint Exhibition of the Big-Tail Elephant Group’ (Guangdong Broadcast/Television, Guangzhou, 1992), ‘China Avant-Garde’ (Haus de Kulture der Welt, Berlin, 1993), the ‘Third Exhibition of Big-Tail Elephant Group’ (Red Ants Bar, Guangzhou, 1993), ‘China New Art Exhibition’ (Exhibition Centre, Guangzhou, 1994), ‘No Room — Big-Tail Elephant’ (Guangzhou, 1994) and ‘Possibility — Big-Tail Elephant’ (Zhongguang Building, Guangzhou, 1996).

Some of his recent exhibitions include ‘Cities on the Move’ (Denmark, London, Bangkok and Helsinki, 1999), ‘Paris-Pekin’’ (Paris, 2002), the first and second Guangzhou Triennials (Guangzhou, 2002 and 2005), the fourth Gwangju Biennale (Gwangju, South Korea, 2002) and Documenta 12 (Kassel, 2007).

<i>100 Pieces and 1000 Pieces</i>, Lin Yilin, 1993, performance, 50 minutes.
<i>Safely Crossing Linhe Road</i>, Lin Yilin, 1995, performance, 90 minutes.