Gu Chengfeng 2009-03-05
Nanjing Arts Institute,
Nanjing
Conducted in Mandarin
“In our art circle, which included music, theatre, dance, fine art and film, the people who loved to read most—and read the most books—were involved in fine arts. It didn’t matter if you didn’t understand philosophy: you read it first and then figured it out. Husserl, Sartre… actually, after reading them, if someone asked you to explain, you wouldn’t be able to answer clearly, but you still felt you were influenced by them in some way. It was almost like a fad back then, but the influence, although subtle, was still there.”
Biography:
Gu Chengfeng is a Chinese art critic and editor.
Gu obtained his M.A. in Art History from the Chinese National Academy of Arts in 1988 and went on to become an editor of Jiangsu Pictorial (Jiangsu huakan).
Some of his recent publications include Being Lured (Ganshou youhuo) (1999), Chinese Conceptual Art (2002) and Installation Art (Zhuangzhi yishu), co-published with He Wanli (2003). Gu is also editor of a book series called Zhongguo yishu shizuo biaoxilie congshu about the history of Chinese art (2006).