LEGAL STATEMENT | PRIVACY POLICY

Ding Yi 2008-11-26
Ding Yi's Studio,
Shanghai

Conducted in Mandarin

“I think that the ’85 New Wave principally centered on two Western schools of art—expressionism and surrealism. These two are primarily focused on expressing internal emotions, fantasies, ideals, but I felt that they lacked an element of rationality. I wanted to use my own method to bring out another kind of possibility, something extremely rational, deductive, logical, but which at the same time would reflect the spirit of the times and the contemporary quality of art. There were quite a number of abstract artists in Shanghai. This perhaps had something to do with the character of the city itself.”
<i>Taboo</i>, Ding Yi, 1986, oil on canvas.
<i>Appearance of Crosses (Sketches)</i>, Ding Yi, 1987.

Biography:

Ding Yi (b. 1962, Shanghai) is an artist and has been a professor at the Shanghai Institute of Visual Arts at Fudan University since 2005.

Between 1980 and 1983, Ding was enrolled at the Shanghai College of Arts and Crafts, an important art school in Shanghai at the time. Other noteworthy members of this school include Yu Youhan, Chen Zhen and Wang Ziwei to name a few.

After graduating, Ding became a designer in the Number 12 Toy Factory in Shanghai, and he began to experiment with abstract oil paintings. In 1986, Ding exhibited his work at the first ‘Concave-Convex' exhibition, one of the first showcases for experimental art in Shanghai. In 1988, Ding began to use an abstract pattern of crosses in his paintings, which later developed into his celebrated series Appearance of Crosses.

Ding continues to paint and exhibit widely, both internationally and in China. Most recently, his work appeared in a group show called ‘Shanghai’ held at the San Francisco Asian Art Museum (2010).

<i>Cloth Sculptures</i>, Ding Yi, Qin Yifeng and Zhang Guoliang, 1986, performance.
Interviewing Ding Yi at his studio in Shanghai, 26 November 2008.