LEGAL STATEMENT | PRIVACY POLICY

Chen Shaoxiong 2007-05-28
Asia Art Archive,
Hong Kong

Conducted in Mandarin

“Things really depended a lot on translations. We were quite passive in the sense that we didn’t have a lot of choices. It was like eating a Western meal—there wasn’t much to choose from. They served you a dish; you finished it, and then they gave you another. This was the relationship. If it happened to be a plate of Jean-Paul Sartre, we ate Jean-Paul Sartre. And if the dessert was, for example, Susanne Langer, we ate that too. Next, they would serve you a cup of coffee, which would be some other book. Now, however, it is like eating a Chinese meal, with many dishes at once. Then, it was like a Western meal, one course at a time. You ate whatever the translators gave you.”
Photograph of Chen Shaoxiong at the first ‘Experimental Show of the Southern Artists Salon’, taken in 1986.
Interviewing Chen Shaoxiong at Asia Art Archive (Hong Kong), 28 May 2007.

Biography:

Chen Shaoxiong (b. 1962, Shantou, Guangdong Province) is an artist living and working in Guangzhou and Beijing.

Chen graduated from the Department of Printmaking at the Guangzhou Academy of Fine Arts in 1984. As a member of the Southern Artists Salon, Chen helped organize the first ‘Experimental Show of the Southern Artists Salon’ at the Student Centre of Sun Yat-Sen University, Guangzhou (1986–1987).

In 1990, Chen participated in the Big-Tail Elephant Group along with other initial members including Lin Yilin, Liang Juhui and Xu Tan. Later, Chen became a frequent participant in exhibitions worldwide, including ‘Cities on the Move’ (Vienna, Bordeaux, Long Island New York, Denmark, London, Bangkok, Helsinki, 1997–1999), the first and second Guangzhou Triennials (2002, 2005), the Shanghai Biennale (2002), the Gwangju Biennale (South Korea, 2002) and ‘Z.O.U. – Zone of Urgency’ at the 50th Venice Biennale (2003).

In recent years, Chen Shaoxiong has presented several solo exhibitions, such as ‘Anti-C.S.X.’ (Vitamin Creative Space, Guangzhou, 2003), ‘Let’s See Who’s Lucky’ (BizArt Art Centre, Shanghai, 2006) and ‘Visible and Invisible, Known and Unknown’ (Universal Studios, Beijing, 2007).

<i>5 Hours</i>, Chen Shaoxiong, 1993.
<i>See-saw</i>, Chen Shaoxiong, 1994, installation.