<i>Approaching Storm</i>, Zhang Xiaogang, 1981, oil on paper, 78 x 5 x 110 cm.

<i>Tibetan Women at Rest</i>, Zhang Xiaogang, 1981, oil on paper, 79 x 54 cm.

<i>Self Portrait</i>, Zhang Xiaogang, 1983, oil on cardboard, 40 x 30 cm.

<i>Silent World</i>, Zhang Xiaogang, 1985, oil on paper, 109 x 88.5 cm.

<i>Forgotten Dreams 15: A Sumptuous Dinner</i>, Zhang Xiaogang, 1987, oil on cardboard, 27 x 30 x 5 cm.

Zhang Xiaogang, 'Existing for that Something: A Second Letter from the Night', manuscript, 20 September 1986, 7 pages; later published in Yunnan Artists Bulletin, January 1987, original and photocopy.

Zhang Xiaogang, 'About' collection, manuscript, 1987, 7 pages.

Photograph of Zhang Xiaogang at the dormitory of Kunming Troupe, taken in 1984.

Photograph of Zhang Xiaogang at his Chengdu studio creating Forgotten Dreams – The High Altar, taken in 1987.

Photograph of Zhang Xiaogang at his Congqing studio, taken in 1987.

Certificate of Excellence from ‘An Oil Painting Exhibition of the Sichuan Artists’ for Zhang Xiaogang’s Hills and Creatures under Moonlight, 1 October 1987.

Invitation card to Zhang Xiaogang's solo exhibition at the Sichuan Academy of Fine Arts, May 1989.

Zhang Xiaogang, ‘Preface to Exhibition at Sichuan Academy of Fine Arts’, manuscript, 12 May 1989.

<i>The Dark Trilogy: Fear, Meditation and Sorrow</i>, Zhang Xiaogang, 1989–90, oil on triptych canvas, 179 x 114 x 3 cm.